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Existentialist writers

The reason for this is that the stories offer a wide variety of possible meanings without confirming any particular one of them. Existentialism is a catch-all term for those philosophers who consider the nature of the human condition as a key philosophical problem and who share the view that this problem is best addressed through ontology. - Albert Camus is considered one of the greatest existentialist writers of all time.

Existentialist writers

Existentialist writers

Kafka's stories suggest meanings which are accessible only after several readings. The two movements have in common the demand that the whole fabric of life be recognized and taken into account in our thinking and acting.

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  • Sartre posits the idea that "what all existentialists have in common is the fundamental doctrine that existence precedes essence", as scholar Frederick Copleston explains.


    Existentialist writers

    Existentialist writers

    Existentialist writers

    In fact, while existentialism is generally considered to have orinated with Kierkegaard, the first prominent existentialist philosopher to adopt the term as a self-description was Jean-Paul Sartre. Albert Camus was a French-Algerian journalist and novelist whose literary work is regarded as a primary source of modern existentialist thought.

    Existentialist writers

    This, in turn, is the result of Kafka's view which he shares with many twentieth-century writers — that his own self is a parcel of perennially interacting forces lacking a stable core; if he should attain an approximation of objectivity, this can come about only by describing the world in symbolic language and from a number of different vantage points. THESIS PS Contents Introduction Themes in Existentialism Sren Kierkegaard (1813-1855) Existentialism (Irvine) Existentialist Themes (Irvine) Soren Kierkegaard (1813-1855): ‘ The Father of Existentialism’ (Irvine) Themes in Kierkegaard's Thought (Irvine) Concluding Unscientific Postscript (Irvine) Existentialism can be thought of as the twentieth-century analogue of nineteenth-century romanticism.


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